A Google-a-Day Puzzle for Dec. 2











Our good friends at Google run a daily puzzle challenge and asked us to help get them out to the geeky masses. Each day’s puzzle will task your googling skills a little more, leading you to Google mastery. Each morning at 12:01 a.m. Eastern time you’ll see a new puzzle posted here.


SPOILER WARNING:
We leave the comments on so people can work together to find the answer. As such, if you want to figure it out all by yourself, DON’T READ THE COMMENTS!


Also, with the knowledge that because others may publish their answers before you do, if you want to be able to search for information without accidentally seeing the answer somewhere, you can use the Google-a-Day site’s search tool, which will automatically filter out published answers, to give you a spoiler-free experience.


And now, without further ado, we give you…


TODAY’S PUZZLE:



Note: Ad-blocking software may prevent display of the puzzle widget.




Ken is a husband and father from the San Francisco Bay Area, where he works as a civil engineer. He also wrote the NYT bestselling book "Geek Dad: Awesomely Geeky Projects for Dads and Kids to Share."

Read more by Ken Denmead

Follow @fitzwillie and @wiredgeekdad on Twitter.



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Bryce Dallas Howard film among the live-action short films on Oscar nominations shortlist












LOS ANGELES (TheWrap.com) – “when you find me,” directed by “Twilight” star Bryce Dallas Howard and executive-produced by her father Ron Howard, is among 11 films that have been shortlisted for possible Oscars nomination, the Academy of Motion Picture Arts and Sciences said Thursday.


Though the Academy typically only short-lists 10 entries, a tie in the nominations balloting resulted in an 11th title making the list. In all, 125 films originally qualified in the category.












From here, members of the Academy’s Short Films and Feature Animation Branch will select three to five nominees for the Oscars during December screenings in Los Angeles, New York and San Francisco.


Nominations will be announced January 10, with the Academy Awards taking place February 24.


Read the full short-list below.


“A Fábrica (The Factory),” Aly Muritiba, director (Grafo Audiovisual)


“Asad,” Bryan Buckley, director, and Mino Jarjoura, producer (Hungry Man)


“Buzkashi Boys,” Sam French, director, and Ariel Nasr, producer (Afghan Film Project)


“Curfew,” Shawn Christensen, director (Fuzzy Logic Pictures)


“Death of a Shadow (Dood van een Schaduw),” Tom Van Avermaet, director, and Ellen De Waele, producer (Serendipity Films)


“Henry,” Yan England, director (Yan England)


“Kiruna-Kigali,” Goran Kapetanovic, director (Hepp Film AB)


“The Night Shift Belongs to the Stars,” Silvia Bizio and Paola Porrini Bisson, producers (Oh! Pen LLC)


“9meter,” Anders Walther, director, and Tivi Magnusson, producer (M & M Productions A/S)


“Salar,” Nicholas Greene, director, and Julie Buck, producer (Nicholas Greene)


“when you find me,” Ron Howard, executive producer, and Bryce Dallas Howard, director (Freestyle Picture Company)


Movies News Headlines – Yahoo! News


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Opinion: A Health Insurance Detective Story





I’VE had a long career as a business journalist, beginning at Forbes and including eight years as the editor of Money, a personal finance magazine. But I’ve never faced a more confounding reporting challenge than the one I’m engaged in now: What will I pay next year for the pill that controls my blood cancer?




After making more than 70 phone calls to 16 organizations over the past few weeks, I’m still not totally sure what I will owe for my Revlimid, a derivative of thalidomide that is keeping my multiple myeloma in check. The drug is extremely expensive — about $11,000 retail for a four-week supply, $132,000 a year, $524 a pill. Time Warner, my former employer, has covered me for years under its Supplementary Medicare Program, a plan for retirees that included a special Writers Guild benefit capping my out-of-pocket prescription costs at $1,000 a year. That out-of-pocket limit is scheduled to expire on Jan. 1. So what will my Revlimid cost me next year?


The answers I got ranged from $20 a month to $17,000 a year. One of the first people I phoned said that no matter what I heard, I wouldn’t know the cost until I filed a claim in January. Seventy phone calls later, that may still be the most reliable thing anyone has told me.


Like around 47 million other Medicare beneficiaries, I have until this Friday, Dec. 7, when open enrollment ends, to choose my 2013 Medicare coverage, either through traditional Medicare or a private insurer, as well as my drug coverage — or I will risk all sorts of complications and potential late penalties.


But if a seasoned personal-finance journalist can’t get a straight answer to a simple question, what chance do most people have of picking the right health insurance option?


A study published in the journal Health Affairs in October estimated that a mere 5.2 percent of Medicare Part D beneficiaries chose the cheapest coverage that met their needs. All in all, consumers appear to be wasting roughly $11 billion a year on their Part D coverage, partly, I think, because they don’t get reliable answers to straightforward questions.


Here’s a snapshot of my surreal experience:


NOV. 7 A packet from Time Warner informs me that the company’s new 2013 Retiree Health Care Plan has “no out-of-pocket limit on your expenses.” But Erin, the person who answers at the company’s Benefits Service Center, tells me that the new plan will have “no practical effect” on me. What about the $1,000-a-year cap on drug costs? Is that really being eliminated? “Yes,” she says, “there’s no limit on out-of-pocket expenses in 2013.” I tell her I think that could have a major effect on me.


Next I talk to David at CVS/Caremark, Time Warner’s new drug insurance provider. He thinks my out-of-pocket cost for Revlimid next year will be $6,900. He says, “I know I’m scaring you.”


I call back Erin at Time Warner. She mentions something about $10,000 and says she’ll get an estimate for me in two business days.


NOV. 8 I phone Medicare. Jay says that if I switch to Medicare’s Part D prescription coverage, with a new provider, Revlimid’s cost will drive me into Medicare’s “catastrophic coverage.” I’d pay $2,819 the first month, and 5 percent of the cost of the drug thereafter — $563 a month or maybe $561. Anyway, roughly $9,000 for the year. Jay says AARP’s Part D plan may be a good option.


NOV. 9 Erin at Time Warner tells me that the company’s policy bundles United Healthcare medical coverage with CVS/Caremark’s drug coverage. I can’t accept the medical plan and cherry-pick prescription coverage elsewhere. It’s take it or leave it. Then she puts CVS’s Michele on the line to get me a Revlimid quote. Michele says Time Warner hasn’t transferred my insurance information. She can’t give me a quote without it. Erin says she will not call me with an update. I’ll have to call her.


My oncologist’s assistant steers me to Celgene, Revlimid’s manufacturer. Jennifer in “patient support” says premium assistance grants can cut the cost of Revlimid to $20 or $30 a month. She says, “You’re going to be O.K.” If my income is low enough to qualify for assistance.


NOV. 12 I try CVS again. Christine says my insurance records still have not been transferred, but she thinks my Revlimid might cost $17,000 a year.


Adriana at Medicare warns me that AARP and other Part D providers will require “prior authorization” to cover my Revlimid, so it’s probably best to stick with Time Warner no matter what the cost.


But Brooke at AARP insists that I don’t need prior authorization for my Revlimid, and so does her supervisor Brian — until he spots a footnote. Then he assures me that it will be easy to get prior authorization. All I need is a doctor’s note. My out-of-pocket cost for 2013: roughly $7,000.


NOV. 13 Linda at CVS says her company still doesn’t have my file, but from what she can see about Time Warner’s insurance plans my cost will be $60 a month — $720 for the year.


CVS assigns my case to Rebecca. She says she’s “sure all will be fine.” Well, “pretty sure.” She’s excited. She’s been with the company only a few months. This will be her first quote.


NOV. 14 Giddens at Time Warner puts in an “emergency update request” to get my files transferred to CVS.


Frank Lalli is an editorial consultant on retirement issues and a former senior executive editor at Time Warner’s Time Inc.



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Kansas City Chiefs player involved in shootings, police say









Police say Kansas City Chiefs linebacker Javon Belcher fatally shot his girlfriend early Saturday, then drove to Arrowhead Stadium and committed suicide in front of his coach and general manager.

Police spokesman Darin Snapp confirmed it was Belcher, a fourth-year player from West Babylon, N.Y., who played college ball at Maine. The woman's name has not yet been released.

Snapp said Belcher shot the woman at a Kansas City residence, then drove to the Chiefs facility. He thanked Chiefs general manager Scott Pioli and Romeo Crennel for all they had done for him, then shot himself.


Photos: Jovan Belcher


Authorities received a call Saturday morning from a woman who said her daughter had been shot multiple times at a residence about five miles away from the Arrowhead complex.





"When we arrived, a lady informed us that her daughter had been shot multiple times by her boyfriend, by the daughter's boyfriend," Snapp said. "She identified him as a Chiefs player."


Snapp said a call was then received from the Chiefs' facility.


"The description matched the suspect description from that other address. We kind of knew what we were dealing with," he said. The player was "holding a gun to his head" as he stood in front of the front doors of the practice facility.


"And there were Pioli and Crennel and another coach or employee was standing outside and appeared to be talking to him. It appeared they were talking to the suspect," Snapp said. "The suspect began to walk in the opposite direction of the coaches and the officers and that's when they heard the gunshot. It appears he took his own life."


The coaches told police they never felt in any danger, Snapp said.


"They said the player was actually thanking them for everything they'd done for him," he said. "They were just talking to him and he was thanking them and everything. That's when he walked away and shot himself."


Snapp described the girlfriend as in her early 20s and that she and the player had a child together. He said the woman's mother told police they had recently been arguing.


Arrowhead Stadium has been lockdown since about 8 a.m.


"We can confirm that there was an incident at Arrowhead earlier this morning," the Chiefs said in a statement. "We are cooperating with authorities in their investigation."


Kansas City is scheduled to host the Carolina Panthers on Sunday. The league has informed the Panthers to travel as scheduled because the game is going on as scheduled.


The season has been a massive disappointment for the Chiefs, who were expected to contend for the AFC West title.


They're just 1-10 and mired in an eight-game losing streak that has been marked by devastating injuries and fan upheaval, with constant calls the past few weeks for Pioli and Crennel to be fired. Things have been so bad this season that Crennel fired himself as defensive coordinator.


The Chiefs have been ravaged by injuries, led the league in turnovers, can't settle on a quarterback and are dealing with a full-fledged fan rebellion. The Twitter account for a fan group known as "Save Our Chiefs" recently surpassed 80,000 followers, about 17,000 more than the announced crowd at a recent game.






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Geek Culture's 26 Most Awesome Female Ass-Kickers

Angelina Jolie extends her reputation as filmdom’s most compelling ass-kicker, Female Division, when Salt opens Friday. Midway through a summer freighted with testosterone, Jolie’s lithe Agent Salt is a potent reminder of the power of feminine fighters.


A minority presence in sci-fi and action realms even in 2010, women warriors remain the exception to the guy-centric rule in film, TV, videogames and comic books. But that’s changing, according to Action Flick Chick blogger Katrina Hill, who moderates the "Where Are the Action Chicks?" panel Friday at San Diego’s Comic-Con International.




"Compare the original Predator to this summer’s Predators," she said in an e-mail interview with Wired.com. "The original film was a complete boy’s club, with the only woman in the movie being a hostage. Today, Predators has a kick-ass chick mixed in as an equal amongst these other badass men. So there are steps being taken in the right direction. It just takes time."



The rise of the female fighter will be addressed at no fewer than three other female-dominated panels at this year’s Comic-Con (Thursday’s “Divas and Golden Lassoes: The LGBT Obsession with Super Heroines” and Friday’s “Girls Gone Genre: Movies, TV, Comics, Web” and “Women Who Kick Ass: A New Generation of Heroines,” which features Fringe’s Anna Torv and V’s Elizabeth Mitchell.)



Here’s a look at 26 sexy-fierce female ass-kickers who’ve relied on biceps and brains to periodically kick-start geek culture.

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“Honey Boo Boo” star arrested for going ape on Georgia Freeway












LOS ANGELES (TheWrap.com) – If you tend to believe that the cast members of TLC reality series “Here Comes Honey Boo Boo” are less than totally evolved, rejoice; this story might just confirm your suspicions.


“Crazy” Tony Lindsey – the cousin of “Honey Boo Boo”‘s titular star Alana Thompson” – was arrested in Georgia earlier this week following a goofy, but dangerous, stunt involving a gorilla suit, TMZ reports.












A police report says that Lindsey was among a group of men arrested for reckless behavior after one of them, dressed in a gorilla suit, prepared to jump into a lane along Highway 20 at approximately 11 p.m. Unfortunately for the band of wrongheaded pranksters, Deputy Joe Rozier happened to be driving by as he was about to take the leap from the side of the road.


“I observed a white male dressed in a gorilla suit acting as if he was going to jump into my lane of travel. I swerved into the left lane to avoid an accident with the person,” Rozier said in a police report.


Rozier took pursuit, and “observed several white males run up the embankment and into the woods,” the report notes. After threatening to release his police dog, he heard a voice yell back, “You don’t have to do that, we’re coming back.”


A group of five adults and two minors emerged – but with no gorilla suit. After a while, however, they admitted to hiding the suit in the woods.


It’s not known if Lindsey was the one in gorilla suit, or if the stunt will be incorporated into an upcoming episode of “Here Comes Honey Boo Boo.”


A spokesperson for the show has not yet responded to TheWrap’s request for comment.


TV News Headlines – Yahoo! News


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Media Decoder Blog: Robert Thomson to Be Chief of News Corporation's New Publishing Company

Robert Thomson, the top editor at The Wall Street Journal and Dow Jones and a confidante of News Corporation’s chairman and chief executive, Rupert Murdoch, is expected to be named chief executive of the media conglomerate’s newly spun-off publishing company.

Mr. Thomson will run the separate, publicly traded company, which will include The Journal, The New York Post, HarperCollins and a suite of lucrative television assets in Australia. The announcement is expected as early as Monday, according to a person briefed on the company’s decision-making.

Mr. Thomson took over at The Journal in 2008, soon after News Corporation completed its $5.6 billion acquisition of Dow Jones. He serves as managing editor of The Journal and editor in chief of Dow Jones, which also publishes Barron’s and the Dow Jones Newswires.

Gerard Baker, a deputy managing editor at the Journal, will take over for Mr. Thomson at The Journal, said the person briefed on the decisions, who could not discuss private conversations publicly.

At The Journal, Mr. Baker has overseen Washington and political coverage, among other topics. He previously wrote a neoconservative column for The Times of London, also owned by News Corporation, and served as Washington bureau chief at The Financial Times, where Mr. Thomson was the top editor of the United States edition.

Mr. Thomson began his career at News Corporation in 1979 as a reporter at The Herald in Melbourne, Australia. He and Mr. Murdoch are both Australian, and have taken family vacations together. Mr. Murdoch is often seen in Mr. Thomson’s office in the Journal newsroom.

In his tenure at The Journal, Mr. Thomson increased circulation by broadening the newspaper’s focus beyond business to include more general-interest and lifestyle news. He oversaw an expansion of the newsroom budget, added photographs to go along with the paper’s signature dot drawings and introduced a local New York section.

Mr. Murdoch will serve as chairman of the publishing company and remain chief executive of the entertainment company, which will include News Corporation’s movie studio, Fox Broadcasting and cable channels like FX and Fox News.

News Corporation plans to complete its split, which was announced in June, in mid-2013. Additional announcements about the publishing company’s board and cash structure are expected before the end of the year.

A News Corporation spokeswoman declined to comment on the expected appointments, which were first reported in The Journal.

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Tennis umpire Lois Goodman kisses attorney after murder case tossed









A Los Angeles County Superior Court judge Friday dismissed the murder case against professional tennis umpire Lois Goodman, who had been accused of killing her 80-year-old husband.


A prosecutor told Judge Jessica Silvers the Los Angeles County district attorney's office was "unable to proceed" at this time. The case was dismissed without prejudice, but no other details were provided.


After the hearing, Sandi Gibbons, spokeswoman for the D.A.'s office, said the case remains an ongoing police and district attorney's investigation and declined further comment that might compromise that work.








It is unclear if or when prosecutors might refile charges. Sources, who did not want to be named because the investigation is ongoing, said experts retained by authorities said the evidence in the case could show that Alan Goodman's death was an accident.


After the judge agreed to dismiss the case, Goodman turned and kissed one of her defense attorneys, Alison Triessl.


Another of her attorneys, Robert Sheahen, thanked prosecutors for fulfilling their "moral and legal" obligation.


Goodman, 70, had pleaded not guilty to attacking her husband. She said she found him dead on April 17 at their Woodland Hills home. She told authorities she came home and found a bloody trail up the stairs to their bedroom. She believed he had fallen, then made his way to bed.


Defense attorneys have been critical of the investigation -- or lack of one. No coroner's investigator or homicide detective visited the Woodland Hills home before the body was released to the mortuary.


It wasn't until three days later, on the eve of Alan Goodman's cremation, that a coroner's investigator, sent to the mortuary to sign the death certificate, noted "deep penetrating blunt force trauma" on his head and ears. Those observations launched the homicide investigation.





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Make Me a Pallet in the Cloud




Adrian Holovaty has two great passions. As a web developer he co-created the popular Python framework Django. As a virtuoso guitarist he channels the music of Django Reinhardt and posts popular YouTube videos. A few years back Adrian mentioned to me that he was working on an application that would combine these interests. This month it arrived. Soundslice is a tool with many uses:



  • Scoring music using tablature (tab), a notation that records positions on strings instead of notes on a staff.


  • Synchronizing notation with YouTube performances.


  • Using the synchronized notation to study and learn.


  • Annotating videos not only with tab tracks (for 4-, 5-, 6-, or 7-string instruments) but also with free-form tracks that can indicate chords and structure.


  • Using synchronized free-form annotation to add layers to any YouTube video. For example, the Soundslice tutorial is a screencast divided into chapters marked on a free-form track.


For me this has been an early Christmas gift. I’ve spent a lot of time, in recent years, learning to play guitar arrangements that I really enjoy. Until now that’s meant learning from the page — sometimes using tabs, sometimes conventional notation. I’ve looked to YouTube for inspiration. It’s a great way to sample variations on a theme and get a feel for how things could sound. But I’ve struggled to learn directly from those videos. It’s great ear training if you can do it, but I’m not there yet. I need a tool that helps me analyze, in detail, what’s happening in those performances.



Soundslice is that tool. Consider this tutorial in which Duck Baker demonstrates two improvisations of Make me a pallet on your floor. I really, really want to learn to play the tune like that. And I’d been making progress by replaying the video in small sections. But it was hard to consolidate what I’d learned. And as I recently found out, I wasn’t hearing (or seeing) a lot of the details.



Now consider my (still unfinished) Soundslice annotation of that Duck Baker video. You’ll need to skip to 6:52 to see my annotations because I’m tackling the second of the two variations first. (Adrian, when you get around to it, the ability to append #6:52 to the Soundslice URL would be a nice enhancement!)



If you check out my Soundslice, or any other Soundslice, here are some things to notice:



  • As the cursor moves along the timeline, current annotations on all tracks light up. So if you’ve annotated four beats as D7 on a chord track, that annotation will light up for the duration of the four beats. And notes within that measure will light up for their own durations.


  • There are no fixed intervals. It’s up to you to establish the durations of notes on the tab track and of measures on the chord track. That is, admittedly, tedious. But it means that you can sync the notation to the video as precisely as your motivation dictates.


  • Every annotation, when clicked, selects its duration for looping. You can focus on individual notes, whole measures, larger sections, or any other divisions that you create. And you can loop any selection at full speed or half speed.


All this, mind you, is happening in an HTML5 web application that I can use effectively in Chrome, Firefox, and IE 10. It’s a remarkable demonstration of what’s becoming possible in standards-based browsers.



But since this is a column about the personal cloud, I want to focus instead on how Soundslice anticipates an ecosystem of cooperating personal clouds. In this case let’s consider Duck Baker’s and mine. His performances on YouTube form a part of his cloud. The terms of that arrangement are specific to YouTube but we can imagine other services with different kinds of access control (or not) and monetization (or not).



Meanwhile my annotations of Duck Baker’s video form part of my personal cloud. Again the terms are specific to Soundslice but we can imagine different versions of Soundslice with different flavors of access control (or not) and monetization (or not). And while some versions might work with YouTube, others might work with different public or private video services.



This architecture opens up vast realms of possibility for those who wish to study, learn, teach, and share music, as well as for those who provide services to facilitate these activities. The key enablers are:



  1. Data in disparate personal clouds.


  2. Services that join those clouds.


Here the joining mechanism is time-based synchronization, which of course can be used far more broadly. Mozilla’s Popcorn.js, a general framework for combining video with other web assets, points the way.



Another joining mechanism is name-based synchronization. In the scenario I envisioned in Goodbye Fax, Hello Personal Cloud the joining mechanism would involve insurance claim numbers and health-care provider IDs.



When I wrote about that insurance/health-care scenario several commenters called it “aspirational,” which is true enough. I have similar aspirations for Soundslice. It’ll be a while yet before ecosystems of cooperating personal clouds really get going, but I don’t mind waiting a bit longer. There’s plenty of guitar practicing to do in the meantime.


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Emmy Awards date announced by CBS












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